{"title":"NEW RELEASES \/ REISSUES","description":"","products":[{"product_id":"david-bowie-blackstar","title":"David Bowie - Blackstar","description":"\u003cp\u003eLP, Reissue \u003cbr\u003eParlophone (2026) EU \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e★ (Blackstar), Bowie’s final studio album, was released on his birthday, 8th January, 2016. Never one to stand still, Bowie worked with Donny McCaslin’s jazz quartet and longtime producer Tony Visconti, to create a challenging album of Art Rock with Jazz influences.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCritically acclaimed, the album debuted at #1 in the UK and US as well as almost everywhere else in the world, and received three Grammy Awards. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kszLwBaC4Sw\" height=\"315\" width=\"560\" name=\"d012c84d-b519-435a-b0cd-e51fb70b5148\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"David Bowie","offers":[{"title":"Default Title","offer_id":42142575329467,"sku":"","price":78.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/DavidBowie-Blackstar-LP-01.jpg?v=1791171648"},{"product_id":"bubble-tea-and-cigarettes-theres-nothing-but-pleasure","title":"Bubble Tea And Cigarettes - There's Nothing but Pleasure (Pink vinyl)","description":"\u003cdiv\u003e\u003cspan\u003eLP Pink vinyl, Limited Edition\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eElefant Records (2025) SP\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIn a world of immediacy, speed, and the here and now, we seem to have lost the trail of those music groups that caress you, that cradle you, that feel like they accompany our sadness and turn it into something beautiful. What groups like GALAXIE 500, RED HOUSE PAINTERS, LOW, COCTEAU TWINS, MAZZY STAR, or more recently CIGARETTES AFTER SEX, WARAHENEGE and Joni do. That’s why we listen to each new song from BUBBLE TEA AND CIGARETTES like a gift, an opportunity, a narcotic journey to the deepest part of our feelings. That’s how we have experienced each of their five singles that have been released over the past year or so, and now it’s time to really celebrate, because the time has come for Andi and Kat’s first album, \u003cstrong\u003eThere’s Nothing But Pleasure\u003c\/strong\u003e. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis is a very special release, both on vinyl, CD formats and digital, which includes those five singles and three marvelous previously unreleased tracks. The album delves deeper into the preciousness that can be found in silence, of the magic of slow tempos, that seem to beat at the same pace as our heart. Where Andi and Kat’s voices, the reverb, the delays, the crystalline guitars all create a false sense of fragility, that everything could break at any given moment, of containment, and of course, of emotion. The violins on “Cigarette Butt” (exciting); the martial rhythm of “He Asked Me To Quit Smoking” which reminds us of some of the saddest moments of Dusty Springfield; the desertic evocation of “Santa Mónica” that Chris Isaak would have loved to have written. The melodic perfection, that guitar arrangement and the impossible title, “Go Downstairs To The Blue Moon, Buy Some Fried Chicken”, the fifties spirit of “Leap”, the dreamy nostalgia of “Liz” and the surreal feeling of “5AM Empanada With You”. With nocturnal themes, and where cigarette smoke seems to take on a sonic quality, full of hedonism, the songs also benefit from the great mixing work of Anthony \"Rocky\" Gallo (Norah Jones, Cat Power, THE XX, CIGARETTES AFTER SEX, THE KILLERS, THE CLIENTELE…) and the mastering of Greg Calbi (Stevie Wonder, John Lennon, David Bowie, TAME IMPALA, ARCADE FIRE, St. Vincent, PERFUME GENIUS, BLONDIE, Aretha Franklin). \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAnd that “There’s Nothing But Pleasure”, where they pull out their most spatial facet, evoking a cosmic Francis Lai and his marvelous soundtracks, or a fully effervescent BEACH HOUSE, a tour de force that builds up almost without our realizing it, and in just three minutes places us at the edge of a cliff. We look down and everything is so pretty. We can’t give up. We have to jump, and fly, and hit play again, without realizing that we have already done it. Because beyond the typical association between sadness and slow tempos, they show us pleasure, a sense of humor, dreaminess, and so much beauty. And that is something that very few know how to give. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAnd of course, after enjoying the narcotic effects of listening to the album, you can enjoy all the videos they have released these months with their various singles. 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Exploring the moments that have shaped him over the last four years: family, friendships, nature, and celebrates the work of finding his way back to himself. Made during his time spent between London, Cornwall, Portugal, and Nashville with a focus on classic songwriting, honing a collection of eleven timeless songs including the previously released singles ‘Old Man’ and ‘Red Moon’. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOne tree will be planted with every order, to help absorb carbon emissions and support reforestation worldwide. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhile Full Circle contends with some quieter moments of the last four years, it remains optimistic and effortlessly listenable, anchored by unadorned vocals and a warm, analogue sound. And the beauty of Full Circle lies in the universality of its lyrics, inviting listeners to inhabit Tom’s world or trace their own path within it. Full Circle stands as both a reflection of his journey and a statement of ongoing evolution. \u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=Ux9z5qxKYHDzOTm4\u0026amp;list=OLAK5uy_kNWFsNj8r_NF6H_8EpS6XXxSB_vWPTeaQ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tom Misch","offers":[{"title":"Default Title","offer_id":47608263573691,"sku":null,"price":62.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/Tom_Misch_-_Full_Circle_-_JP_LP_BLUE_-_01.jpg?v=1774432763"},{"product_id":"mojave-3-spoon-and-rafter-2026-remaster","title":"Mojave 3 - Spoon and Rafter (2026 Remaster)","description":"\u003cp\u003e2026 Remaster \u003cbr\u003eLP, Remaster, Reissue \u003cbr\u003e4AD (2026) EU \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e• Long awaited reissues of all of their albums, remastered at Abbey Road.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e• Ask Me Tomorrow, Out Of Tune, Excuses For Travellers, Spoon and Rafter, Puzzles Like You\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNever ones to sit still, Spoon and Rafter marked another shift for the band. 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The Gem was produced by Jacklin and Robert Muinos and recorded entirely in Melbourne. The 10-track album will be released digitally and on CD, cassette and vinyl on 25 September worldwide.\u003c\/p\u003e\n\u003cp\u003e“I want to love and be loved, but I also want to be free. The tension between those two things has been the central question of my life,” says Jacklin. It’s also the theme that underpins The Gem.\u003c\/p\u003e\n\u003cp\u003eWhen Jacklin first moved to Melbourne from Sydney in 2017, she discovered a little bar on a back street in Collingwood, where bands pushed dining tables to the side and set up in a corner on the floor. She didn’t know anyone in town but knew she wanted to make the city her home, so she started hanging out there, forcing herself out of her comfort zone. The pub was named The Gem.\u003c\/p\u003e\n\u003cp\u003eFast forward eight years and Jacklin, with three celebrated solo records under her belt – Don’t Let The Kids Win (2016), Crushing (2019), and PRE PLEASURE (2022) – was looking to make a fourth. With time on her hands – she was out of contract with her record label, was searching for a manager – she decided to make the record at home in Melbourne, something she’d never done before.\u003c\/p\u003e\n\u003cp\u003eShe called up an old drinking buddy Robert Muinos, owner of Rat Shack studios, which is located above The Gem, and brought in friends Jacob Diamond (guitar), Mimi Gilbert (bass), and Jess Elwood (drums). Recording happened in close quarters, in converted hotel room accommodation upstairs at the pub. As it was a residential bar, they couldn’t record late into the night for fear of bothering the neighbour and sound bleed was a glorious constraint: foot traffic to the hairdresser and the tattoo parlour next door, loud music from the bands and the kitchen crew downstairs. If anyone needed a break from the sessions, they would venture downstairs and watch a band playing. Jacklin and the band even played two unannounced shows there to try out the songs before recording them.\u003c\/p\u003e\n\u003cp\u003eThey thought they’d smash out the record in two weeks, like she’d always done, but that wasn’t the case. In fact, it took nearly a year of tinkering to arrive at something Jacklin could get behind. “The Gem felt like a metaphor for the whole process, because a lot of it did feel like digging. 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Inspired by the portable CD players of the 1990s, it transforms physical music into an everyday companion once again.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhether rediscovering a long-forgotten CD collection or experiencing physical music for the first time, POPDISC™ invites every album to be enjoyed the way it was originally intended—from the first track to the last.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eWhy You'll Love It \u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e💿 An Easy Way to Start Listening to CDs\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSimple, approachable, and designed for anyone looking to rediscover CDs—or experience them for the first time.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e🎒 Compact, Portable, Everyday\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFeaturing a compact 14 cm circular body, POPDISC slips easily into a backpack or shoulder bag, making it a natural companion for commuting, travelling, or relaxing outdoors.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e🎧 Ready Straight Out of the Box\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePowered by two AA batteries and bundled with wired earphones, POPDISC™ requires no internet connection, no smartphone, and no complicated setup. Just insert a CD and start listening.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e❤️ Red or Clear, Two Design Stories\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChoose between two distinctive finishes.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRed - pays tribute to the bold colours and vibrant spirit of 1990s pop culture, turning POPDISC into a playful everyday companion.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eClear - continues NINM Lab's signature transparent design language, revealing the spinning CD and internal mechanism as part of the listening experience.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e📀 Rediscover Album Listening\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eStreaming has changed the way we consume music.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePOPDISC™ brings back the simple pleasure of listening to an album from beginning to end—without notifications, algorithms, or endless playlists.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eMusic Was Meant to Move With You.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePortable CD players changed the way people listened to music. They made albums personal, portable, and part of everyday life. POPDISC carries that same spirit into the present. For those who remember the golden age of portable CDs, it brings back familiar memories. For a new generation, it offers an approachable introduction to physical music—making CDs part of everyday life once again.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePOPDISC™ Portable CD Player\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWired Earphones\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eUser Manual\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSupports CD \/ CD-R \/ CD-RW\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLCD Display\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e60-second Anti-Shock Protection\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3.5 mm Headphone Output\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePowered by 2 × AA Batteries (not included)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eProduct Size: Ø140 × 25 mm\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAvailable Colors: \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eClear\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eRed \u003cbr\u003eBlue \u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1IL-NgScpCp2_Qot8odcYmE_A6M571oRF\/view?usp=sharing\" title=\"POPDISC INSTRUCTION MANUAL\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Instruction Manual\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1IL-NgScpCp2_Qot8odcYmE_A6M571oRF\/view?usp=sharing\" title=\"POPDISC INSTRUCTION MANUAL\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"NINM LAB","offers":[{"title":"Red","offer_id":48170841145531,"sku":null,"price":108.0,"currency_code":"SGD","in_stock":true},{"title":"Clear","offer_id":48170841178299,"sku":null,"price":108.0,"currency_code":"SGD","in_stock":true},{"title":"Blue","offer_id":67995329790139,"sku":null,"price":108.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/NINMLAB-POPDISCCDPLAYER-01A.jpg?v=1793202077"},{"product_id":"ethel-cain-preachers-daughter-cd","title":"Ethel Cain - Preacher's Daughter (CD)","description":"\u003cp\u003eCD, Reissue \u003cbr\u003eDaughters of Cain Records (2025) WW \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThe jaded daughter of a dead preacher-man caught in an exodus, \u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eEthel Cain\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e winds her way through a dizzying attempt at escape from her suffocating upbringing only to find herself crushed within its jaws in the end. Hayden Anhedönia, the woman behind the curtain, serves as the architect for the visceral and haunting world of Ethel Cain. After over four years of meticulously constructing her debut album and the graphic visual world that accompanies it, \u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003ePreacher’s Daughter\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, was released in May 2022 to critical acclaim, catching fire with her reverent fanbase of daughters and the adoration of The New York Times, Vogue, NPR, Billboard, Vice, The FADER, NYLON, Paper Magazine, Pitchfork, W Magazine, V Magazine and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=I0xGyJGGcpLv-rPG\u0026amp;list=OLAK5uy_mMfMT6VbKezAsB0ZOMJKO4XAlkbC5B2fE\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Ethel Cain","offers":[{"title":"Default Title","offer_id":48260410966203,"sku":null,"price":32.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/ETHELCAIN-PREACHER_SDAUGHTER-CD-01.jpg?v=1786959228"},{"product_id":"suki-waterhouse-loveland-sleek-pink-vinyl","title":"Suki Waterhouse - Loveland (Sleek Pink vinyl)","description":"\u003cdiv\u003eLP Sleek Pink vinyl\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIsland (2026)  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSuki Waterhouse, the storyteller behind the critically acclaimed Memoir of a Sparklemuffin, is back with her third album, Loveland. Featuring 14 new songs and co-written with some of music's brightest luminaries, including Amy Allen, Aaron Dessner, Joel Little, Dan Wilson, Jules Apollinaire, and Natalie Findlay. Loveland charts the tender distance between who we were and who we are becoming – a meditation on identity, motherhood, and the quiet pull toward something truer. It is Suki's most intimate and fully realized work yet. \u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=zlp3Vzf-SIuXJuq_\u0026amp;list=OLAK5uy_lfuzCmAXR76vcwYvLrgmTA9sUs-J52zHA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Suki Waterhouse","offers":[{"title":"Default Title","offer_id":48262899597499,"sku":null,"price":60.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/SUKIWATERHOUSE-LOVELAND-LPPINK-01.jpg?v=1786988266"},{"product_id":"fontaines-d-c-dopamine-chamber","title":"Fontaines D.C. - Dopamine Chamber","description":"\u003cp\u003e\u003cstrong\u003eFormats:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLP Indie Exclusive, Japan Edition Blue Marble vinyl\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCD - Japan Edition, Incl Bonus Track\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCassette  \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLabel: XL \/ Beat Records (2026) EU, JP \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eFontaines D.C. today announce their fifth studio album, Dopamine Chamber, released on 16th October via XL Recordings. Produced by James Ford, it is the follow-up to 2024’s UK platinum-certified Romance – and the sound of a band moving decisively away from the guitar language of their early records into something colder, stranger and more synthetic. It arrives today alongside lead single “Marianne”.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAn opulent, rousing introduction to the record, “Marianne” unfurls like red velvet curtains in a crumbling Italian theatre, conjuring high ceilings and expensive decay. Inspired in part by the 2024 thriller series Ripley, it’s a song about escapism and hedonism and it works as a siren call, offering the listener a getaway from – or towards – oblivion. “This year, you should come and stay here \/ You can follow my lead \/ I can help you disappear,” Grian Chatten sings, as the arrangement glistens around him. 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Across the album, Fontaines D.C. – Grian Chatten, Carlos O’Connell, Conor Curley, Conor Deegan and Tom Coll – move between gratification and dread until the two meld together, reflecting the overwhelm of artificial intelligence, environmental collapse and political violence all riding the same algorithms as memes, jokes and celebrity culture. “The album itself is a dopamine chamber,” says Chatten. “You step inside and we test these different mind- or mood-altering pieces of music on you.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhere Romance held its tension in balance, this record tips it. “I think Romance was maybe 60 per cent human and 40 per cent corrupted by automation, and a loss of feeling,” says Chatten, who spent time among the faded grandeur of Venice, Vienna and Sicily in search of lyrical inspiration. “This one feels more like 60 per cent corrupted — the mask is wearing the face a little more.” He resisted any pull towards easy optimism: “I felt it would be more powerful to leave the hope out and reflect the ugliness honestly. This one needed to feel more like a catastrophic warning.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“Our albums have always questioned a sense of place,” says bassist Conor Deegan. “First Dublin, then being away from Dublin, and then trying to find the romance elsewhere. On this record, the question became: where do you escape to?” Into the self, perhaps – or hedonism, fantasy, cosmetic perfection, eternal youth or the endless refresh of a screen.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFontaines D.C. have spent five albums refusing to repeat themselves – from Dogrel (2019) through A Hero’s Death (2020), the No. 1 Skinty Fia (2022) and the anarchic, kaleidoscopic Romance (2024). Dopamine Chamber is their most radical turn yet: cold synthesiser tones, marching drums, samples and triggers, several songs with no guitars at all, and the swooning strings of 1960s Italian pop pulled into something synthetic. For guitarist Conor Curley, the aim was to break from the band’s own reference points: “I was trying to find stuff that pointed into the future.” It was made with Ford between London, the English countryside and Palermo, where Chatten recorded vocals in a makeshift booth built from mattresses and cushions.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e“There’s a poignant sense of us being on the brink of some other kind of form of humanity, or non-humanity,” says Chatten. For their fifth album, Fontaines D.C. have built the chamber. 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It’s detached and always wears sunglasses, with a bassist\/vocalist in Jeriel Lim who will never disclose the meaning of her lyrics, a rare breed of drummer in Shenen Khoo who prefers to play as little possible, sometimes not at all, and a guitarist\/vocalist in Daniel Borces whose musical obsessions run so deep that he flew all the way to London in March 2026 just to attend Thurston’s Moore’s Cafe Oto residency. \u003cbr\u003e\u003cbr\u003eThe follow-up to last year’s debut Through The Motions, and the first released via Leeds-based DIY label Field Work Recordings (Bug Teeth, Floco), Hit By A Car doesn’t deliver the kind of high-octane road collisions of flying bodies and shattered debris, but the kind the Daniel himself experienced watching his friend (and former bassist) finally suffer from the habit of always using his phone while riding his bike: “I was thinking, “should I alert him?”, but something in me made me want to see what would happen. 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The acclaimed British musician, producer and DJ — known for his richly textured, globally influenced sound palette — continues his long-standing tradition of inspired collaborations, featuring Joy Crookes, Ichiko Aoba, Nilüfer Yanya, Arooj Aftab, Nicole Miglis (Hundred Waters) and Aanya Martin. Lyrics appear in English, Urdu and Japanese, while historic Iranian samples and guzheng recordings sit alongside Green’s own meticulously processed instrumentation, woven together across recording sessions spanning LA, Tokyo, London and beyond with a significant portion of the record completed at Neil Young’s legendary Broken Arrow Ranch in California. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIt’s a record that represents the culmination of over 25 years as an artist and DJ. A reminder, if ever one was needed, of Bonobo’s enduring influence — newly felt by a generation rediscovering ’90s genres through a contemporary lens. That duality — introspective composer and club-focused selector — sits at the heart of a body of work full of depth, detail and emotion: both beautiful and driving; as ambitious and forward-thinking as ever. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe album’s visual world, created alongside celebrated designer Trevor Jackson, reflects this shift too. Moving away from the landscape-inspired aesthetics of earlier Bonobo records, Distance in Static instead draws on microscopic photography by renowned photomicrographer John I. Koivula, creating crystalline alien worlds that feel simultaneously natural and otherworldly. 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A reminder, if ever one was needed, of Bonobo’s enduring influence — newly felt by a generation rediscovering ’90s genres through a contemporary lens. That duality — introspective composer and club-focused selector — sits at the heart of a body of work full of depth, detail and emotion: both beautiful and driving; as ambitious and forward-thinking as ever. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe album’s visual world, created alongside celebrated designer Trevor Jackson, reflects this shift too. Moving away from the landscape-inspired aesthetics of earlier Bonobo records, Distance in Static instead draws on microscopic photography by renowned photomicrographer John I. Koivula, creating crystalline alien worlds that feel simultaneously natural and otherworldly. 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Having performed to over a million people worldwide in 2023, the self-managed South Korean-born, Berlin-based producer and artist has blazed her own trail as the first Korean DJ to play Berghain, the first female DJ to headline Ushuaïa Ibiza, and the first woman in over 20 years to appear within the Top 10 of DJ Mag’s annual Top 100 list. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSince 2016, she’s forged a singular blend of club music that’s as forward-thinking as it is nostalgic, finding her global breakthrough with 2018’s Once EP, which birthed hits like “It Makes You Forget (Itgehane),” and “Han Jan.” An essential tastemaker, she runs her music and design label Gudu, through which she issued her 2019 critically acclaimed Moment EP, designs her Kirin and Peggy Goods fashion lines, and sold out her own London Pleasure Gardens festival for four consecutive years. 2024 will see her biggest ever headline London show when she performs to 25,000 people in August. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eShe’s collaborated with everyone from house legend Maurice Fulton (2020’s “Jigoo”) to South Korean counterculture hero OHHYUK (2021’s “Nabi”), and was enlisted for a 2022 remix of Kylie Minogue’s iconic “Can’t Get You Out of My Head.” Referred to as “the world’s hippest DJ” by The Guardian, Gou has graced the cover of Vogue Germany, Vanity Fair Italia, GQ Middle East and Korea, Harper’s Bazaar Malaysia, and others, while boasting collaborations with Louis Vuitton, Hyundai, Ray Ban, Samsung, and Authentic Beauty Concept. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eShe made 2023’s international song of the summer with “(It Goes Like) Nanana,” which topped singles charts in the Netherlands, Belgium, and Greece, as well as the Billboard Dance Airplay chart. The balmy club hit appears on her highly anticipated debut album\u003cstrong\u003e I Hear You\u003c\/strong\u003e, which arrives in June on XL Recordings. Also featuring her Lenny Kravitz collaboration “I Believe in Love Again,” the LP sees Gou boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e \u003cbr\u003e\u003c\/span\u003e\n\u003cp\u003e1 Your Art \u003cbr\u003e2 Back To One \u003cbr\u003e3 I Believe In Love Again Featuring Lenny Kravitz\u003cbr\u003e4 All That Featuring  Villano Antillano\u003cbr\u003e5 (It Goes Like) Nanana \u003cbr\u003e6 Lobster Telephone \u003cbr\u003e7 Seoulsi Peggygou (서울시페기구) \u003cbr\u003e8 I Go \u003cbr\u003e9 Purple Horizon \u003cbr\u003e10 1+1=11 \u003cbr\u003e11 I Believe In Love Again (Jex Opolis Remix) *Bonus Track\u003cbr\u003e12 1+1=11 (Beatless Mix) *Bonus Track \u003cbr\u003e13 (It Goes Like) Nanana (Original Mix) *Bonus Track \u003c\/p\u003e\n\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=Bs1F9gemRy1rBtHz\u0026amp;list=OLAK5uy_n1h_h9Lewcylk4KaXXsODx0q1sqZUHVnA\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"Peggy Gou","offers":[{"title":"Default Title","offer_id":67587860988091,"sku":null,"price":32.0,"currency_code":"SGD","in_stock":true}]},{"product_id":"solex-low-kick-and-hard-bop","title":"Solex - Low Kick And Hard Bop","description":"\u003cdiv\u003e\u003cspan\u003eLP, Reissue \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMatador (2026) US \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAvailable on vinyl for the first time EVER: Solex and Matador Records celebrate 25 years of ‘Low Kick and Hard Bop’ this September. Solex is the pseudonym of singer-songwriter and former Amsterdam record store owner Elisabeth Esselink, who came up with a deft blend of low-key techno and ‘found sounds.’ ‘Solex Versus The Hitmeister’ (1998) was her debut album for Matador and was composed using snippets from crappy, unsellable CDs. In a change of tack, ‘Pick Up’ (1999) was constructed from dozens of recordings that Esselink had secretly made during the gigs of local bands in Amsterdam. It can be considered a variant of a live-album. This extraordinary technique culminates on ‘Low Kick And Hard Bop’ (2001), where she sourced material from old vinyl, television, the better-looking talk show hosts, films, bootlegs, radio, street noises, and animals. Throughout that time, Solex kept great company, performing with my bloody valentine, Cibo Matto, Yo La Tengo, and The Notwist. 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These represses offer a fresh chance to hear The Runaway Found, Nux Vomica and Sun Gangs with the depth, fidelity and artwork they deserve. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“It is a sincere joy to see these records that are so important to us and to so many others reissued on vinyl by the label that nurtured us right from the start.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFinn Andrews, The Veils \u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=lggoZU6qGcn1Kya8\u0026amp;list=OLAK5uy_mi_9T74ZR-3ish-Bpv6l5SsPe9UsCjXf8\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"The Veils","offers":[{"title":"Default Title","offer_id":67587919446203,"sku":null,"price":52.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/TheVeils-NuxVomica-LP-01.jpg?v=1790614307"},{"product_id":"the-veils-sun-gangs","title":"The Veils - Sun Gangs","description":"\u003cdiv\u003e\u003cspan\u003eLP, Reissue \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRough Trade (2026) EU \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Veils’ first three albums return to vinyl via Rough Trade Records: The Runaway Found (2004), Nux Vomica (2006) and 2009’s Sun Gangs. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFounded and led by teenage singer-songwriter Finn Andrews, the New Zealand band built a world of lush, romantic indie across these records, moving from cinematic sweep to close-up emotional intensity through gothic orchestration and atmospheric, driving rhythms. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOriginal vinyl editions were limited, released when the format was still commercially overlooked in the 2000s. These represses offer a fresh chance to hear The Runaway Found, Nux Vomica and Sun Gangs with the depth, fidelity and artwork they deserve. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“It is a sincere joy to see these records that are so important to us and to so many others reissued on vinyl by the label that nurtured us right from the start.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFinn Andrews, The Veils \u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=Vwv7MRvxoe65Jrzy\u0026amp;list=OLAK5uy_k9nLRpW_kKwUh5PWTo8CeiL2tmIlsGfWw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"The Veils","offers":[{"title":"Default Title","offer_id":67587925672123,"sku":null,"price":52.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/TheVeils-SunGangs-LP-01.jpg?v=1790614719"},{"product_id":"the-veils-the-runaway-found","title":"The Veils - The Runaway Found","description":"\u003cdiv\u003e\u003cspan\u003eLP, Reissue \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRough Trade (2026) EU \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Veils’ first three albums return to vinyl via Rough Trade Records: The Runaway Found (2004), Nux Vomica (2006) and 2009’s Sun Gangs. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFounded and led by teenage singer-songwriter Finn Andrews, the New Zealand band built a world of lush, romantic indie across these records, moving from cinematic sweep to close-up emotional intensity through gothic orchestration and atmospheric, driving rhythms. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOriginal vinyl editions were limited, released when the format was still commercially overlooked in the 2000s. These represses offer a fresh chance to hear The Runaway Found, Nux Vomica and Sun Gangs with the depth, fidelity and artwork they deserve. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“It is a sincere joy to see these records that are so important to us and to so many others reissued on vinyl by the label that nurtured us right from the start.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFinn Andrews, The Veils \u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=7RYjH_8XUGhdiS1s\u0026amp;list=OLAK5uy_kad8bdWuyWvju0jEUU-AfM_7kvr7tYCwA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"The Veils","offers":[{"title":"Default Title","offer_id":67587930423483,"sku":null,"price":52.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/TheVeils-TheRunawayFound-LP-01.jpg?v=1790614797"},{"product_id":"this-is-lorelei-the-singer-in-my-band-japan-edition-bone-white-vinyl","title":"This Is Lorelei - The Singer In My Band (Japan Edition, Bone White vinyl)","description":"\u003cdiv\u003eJapan Edition \u003cbr\u003eLP Bone White vinyl\u003cspan\u003e, Limited Edition\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMatador \/ Beat Records (2026) JP \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes, sold out shows across multiple continents, to seeing some of today’s most influential artists cover his songs, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes, at once both strangely familiar and endearingly offbeat in Amos’ signature style. \u003c\/p\u003e\n\u003cp\u003eWritten while touring the globe in support of releases from both his bands, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments,” he recalls, “so instead of being home and writing on the guitar or a computer, they developed slowly and subconsciously, existing as a sort of intangible thing while looking out the van window.” \u003c\/p\u003e\n\u003cp\u003eThere’s Billy, Joey, Genevieve, Sarah, and the ever-present Buddy, an Altman-esque ensemble cast that populate the album’s stories, scattered through distinctly American scenes and landmarks. As narrators go, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry, mirroring Amos’ experience of these last several years. “It’s funny, I sent my dad the album after I finished it, and he said it was kind of an “on the road beatnik” album and that reframed it for me,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” \u003c\/p\u003e\n\u003cp\u003e2024’s Box for Buddy, Box for Star was Amos’ first attempt at an intentionally written full-length solo album, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success, spawning a deluxe version with covers and collaborations including MJ Lenderman, Hayley Williams, Jeff Tweedy, Cameron Winter and many more. \u003c\/p\u003e\n\u003cp\u003eThe Singer in My Band came together in the same apartment Amos has produced much of his music, with final touches made at his parents’ house in St. Johnsbury, Vermont. Amos engineered, produced, and performed everything on Singer, save for a blistering banjo lead on the title track courtesy of his father, bluegrass musician Bob Amos, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with, and the ways they could contribute were things that I had in mind as I was writing the songs,” he explains. \u003c\/p\u003e\n\u003cp\u003eThere’s an economy of style to Singer that’s distinct in the Lorelei catalog, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me,” he says, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass, where there are very particular rules and a very particular box - songs have to stand up by themselves in terms of melody, lyrics and chord progression.” \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=wfhkHSbnnbXs6Wmb\u0026amp;list=OLAK5uy_kW206YUjtJUoOGOnM4to1HuD38jtUSQ6c\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"This Is Lorelei","offers":[{"title":"Default Title","offer_id":67587958505659,"sku":null,"price":58.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/ThisIsLorelei-TheSingerinMyBand-JPLPWHITE-01.jpg?v=1790615214"},{"product_id":"this-is-lorelei-the-singer-in-my-band-cd","title":"This Is Lorelei - The Singer In My Band (CD)","description":"\u003cdiv\u003eCD \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMatador (2026) US \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes, sold out shows across multiple continents, to seeing some of today’s most influential artists cover his songs, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes, at once both strangely familiar and endearingly offbeat in Amos’ signature style. \u003c\/p\u003e\n\u003cp\u003eWritten while touring the globe in support of releases from both his bands, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments,” he recalls, “so instead of being home and writing on the guitar or a computer, they developed slowly and subconsciously, existing as a sort of intangible thing while looking out the van window.” \u003c\/p\u003e\n\u003cp\u003eThere’s Billy, Joey, Genevieve, Sarah, and the ever-present Buddy, an Altman-esque ensemble cast that populate the album’s stories, scattered through distinctly American scenes and landmarks. As narrators go, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry, mirroring Amos’ experience of these last several years. “It’s funny, I sent my dad the album after I finished it, and he said it was kind of an “on the road beatnik” album and that reframed it for me,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” \u003c\/p\u003e\n\u003cp\u003e2024’s Box for Buddy, Box for Star was Amos’ first attempt at an intentionally written full-length solo album, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success, spawning a deluxe version with covers and collaborations including MJ Lenderman, Hayley Williams, Jeff Tweedy, Cameron Winter and many more. \u003c\/p\u003e\n\u003cp\u003eThe Singer in My Band came together in the same apartment Amos has produced much of his music, with final touches made at his parents’ house in St. Johnsbury, Vermont. Amos engineered, produced, and performed everything on Singer, save for a blistering banjo lead on the title track courtesy of his father, bluegrass musician Bob Amos, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with, and the ways they could contribute were things that I had in mind as I was writing the songs,” he explains. \u003c\/p\u003e\n\u003cp\u003eThere’s an economy of style to Singer that’s distinct in the Lorelei catalog, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me,” he says, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass, where there are very particular rules and a very particular box - songs have to stand up by themselves in terms of melody, lyrics and chord progression.” \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=wfhkHSbnnbXs6Wmb\u0026amp;list=OLAK5uy_kW206YUjtJUoOGOnM4to1HuD38jtUSQ6c\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"This Is Lorelei","offers":[{"title":"Default Title","offer_id":67587960701115,"sku":null,"price":25.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/ThisIsLorelei-TheSingerinMyBand-JPCD-01.jpg?v=1790615300"},{"product_id":"pinegrove-11-11-japan-edition-cd","title":"Pinegrove - 11:11 (Japan Edition, CD)","description":"\u003cdiv\u003eJapan Edition \u003cbr\u003eCD\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRough Trade \/ Beat Records (2022) JP \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePinegrove’s new album 11:11 is an unqualified triumph, an album that seizes listeners with hook-filled songs imbuing feelings of warmth, urgency, and poetic beauty, even as it asks some of life’s big and difficult questions. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOn previous Pinegrove recordings, band member Sam Skinner usually oversees mixing duties, but this time out, noted producer and former Death Cab for Cutie member Chris Walla has assumed the role. Calling previous album Marigold’s production “crisp and contained,” Hall, who co-produced 11:11 with Sam, sought more of a “messier” feel for these new songs. Most of the recording took place at two Hudson Valley facilities (Levon Helm Studios in Woodstock and The Building in Marlboro) with the final touches done side by side with Walla in Seattle. 11:11 features lush soundscapes, organs, Megan Benavente’s melodic and adventurous bass playing, Josh Marre’s signature guitar work \u0026amp; a special guest- Doug Hall, Evan’s father- playing piano on many tracks. The record sounds intimate, yet expansive. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“It spends equal time on optimism, community, reaffirming what we are and how it’s our duty to look out for one another” says singer Evan Stephens Hall. “There’s anger, love, hope and grief. The record has all of that.” \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe opening mini epic track, “Habitat,” is a two-part masterpiece of texturalism, brimming with robust, percussive guitars and driven by unsettling shifts. Another key track is “Alaska,” – a happy-go-lucky romp of dense, bracing guitar rock, lurching out of the gate with tectonic force and boasting hooks at every turn. 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Their atmospheric and moody soundscapes drew comparisons to Joy Division, New Order, The Comsat Angels and, in later years, artists such as Interpol and Radiohead. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDisc one combines the band’s six-track debut mini-album Rain (1985) with their first full-length album Permanent Sleep, released the following year. Disc two features sophomore album Diminuendo (1987) alongside seven bonus tracks sourced from non-album singles and EPs. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDiscs three and four contain the albums Godhead (1989) and San Antorium (1991), each supplemented by half of the rare demo collection Black Sessions. 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Each element of the game enjoys a distinct musical palette, including the iconic minimalist piano of the open world, the alien sounds of Sheikah technology, the tension-filled rhythms of enemy encounters, and the orchestral grandeur of the Divine Beast battles. The composition team comprised Manaka Kataoka, Yasuaki Iwata, and Hajime Wakai. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eAlong with this wonderful soundtrack on vinyl, fans can experience the full digital soundtrack for The Legend of Zelda: Breath of the Wild by downloading the Nintendo Music app.* \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e*Available to download from the Apple App Store and Google Play Store. 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The performance includes a special introduction and outro by Cate Blanchett, who accompanied the band on their lunar journey. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSparks Live On The Moon captures a full live set of twenty songs spanning the band's remarkable 54-year career, including This Town Ain't Big Enough For Both Of Us, The Number One Song In Heaven, When Do I Get To Sing \"My Way\", The Girl Is Crying In Her Latte, and selections from their most recent album, MAD!. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSparks Live On The Moon follows MAD!, the band's acclaimed 28th studio album, which reached No. 2 on the UK Albums Chart last year—the highest chart position of their career. \u003c\/span\u003e\u003c\/div\u003e","brand":"Sparks","offers":[{"title":"Default Title","offer_id":67593495675067,"sku":null,"price":65.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/Sparks-SparksLiveOnTheMoon-LPMOONCOLOURED-01.jpg?v=1790696838"},{"product_id":"suede-trash-30th-anniversary-edition-lilac-vinyl","title":"Suede - Trash (30th Anniversary Edition, Lilac vinyl)","description":"\u003cdiv\u003e\u003cspan\u003e30th Anniversary Edition \u003cbr\u003e12\" EP- Lilac vinyl, Limited Edition \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDemon (2026) UK \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhere all of Suede’s previous singles had been issued as 12” singles, ‘Trash’ was the first to pass over the format in favour of two separate CD singles, both featuring unique B-sides. 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This is perhaps most notable on ‘Smile Fade Fast’, the excellent single ‘Does This Hurt?’ and the shimmering opening number, ‘Spaniard’, which gains additional atmosphere from guest performer Roddy Lorimer on trumpet. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSomething of a shoegaze classic, Everything’s Alright Forever remains a strangely slept-on record, but it did make waves well beyond the UK and was nicely summed-up by Canada’s Calgary Herald, whose review observed that: \"buried beneath several coats of mind-gliding guitar are some of the catchiest pop songs this side of Teenage Fanclub.\" \u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=h-LxuIYPFnQ28ddE\u0026amp;list=OLAK5uy_nyDVgbMiCpaj6b5MMtjwTNpWqgu-_HKUo\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"The Boo Radleys","offers":[{"title":"Default Title","offer_id":67593788293307,"sku":null,"price":52.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/TheBooRadleys-Everything_sAlrightForever-LP-01_f5bc929d-8262-4d17-8756-55e1d23782ee.jpg?v=1790697588"},{"product_id":"yard-act-youre-gonna-need-a-little-music","title":"Yard Act - You're Gonna Need A Little Music","description":"\u003cdiv\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eLP \u003cbr\u003e\u003c\/span\u003eIsland (2026) EU \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMercury Prize-nominated Yard Act return with their third studio album offering You’re Gonna Need A Little Music, produced by Justin Meldal-Johnsen (Beck, Wolf Alice) via Island Records. \u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=eg5QRLxK4ucXbcHP\u0026amp;list=OLAK5uy_lGYKRv-r8WiWKcytGNJ4nGE4d6FwPJ1BM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Yard Act","offers":[{"title":"Default Title","offer_id":67593929785531,"sku":null,"price":52.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0517\/0341\/4971\/files\/YardAct-You_reGonnaNeedALittleMusic-LP-01.jpg?v=1790698192"},{"product_id":"olivia-dean-the-art-of-loving-cd-blu-ray","title":"Olivia Dean - The Art Of Loving (CD \/ Blu-ray)","description":"\u003cdiv\u003eCD + Blu-ray, \u003cspan\u003eLimited Edition, Reissue\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCapitol (2026) EU \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003eLimited edition CD and Blu-ray set in 6-panel digisleeve. 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McAlmont \u0026 Butler (2LP Green \/ Blue vinyl)","description":"\u003cdiv\u003e2LP Green \/ Blue vinyl\u003cspan\u003e, Reissue \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDemon (2026) UK \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIt has been just over thirty years since former Suede guitarist Bernard Butler and ex-Thieves frontman David McAlmont released the extraordinary single Yes into a summer dominated by Britpop and Ibiza rave culture. With its instant-classic feel, sweeping 1960s-inspired string arrangements and grand emotional scale, the track sounded unlike anything else at the time. 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